ADAM MEMBREY

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ERNIE WEIGHS IN

March 10, 2015 by Adam Membrey

Drawing with Pinhole filter from Camera+
Drawing with Pinhole filter from Camera+

It started off with something simple.

While my students were partaking in various reward activities, I saw the front cover of Ernie’s Little Lie. As the story goes, the picture is of Ernie painting something and trying to decide whether it’s good enough for the local art contest, with its grand-prize of a watercolor paint set. That the word “lie” is in the title should give you an idea of the rest of the story. But that front cover had me wondering – what if Ernie was thinking looking at something other than a picture? What if I replaced the paintbrush with a pen? What if, instead of painting a picture, Ernie was hard at work trying to calculate his Total Daily Energy Expenditure (TDEE), of which there are many complicated formulas to crunch numbers with? What if Ernie wanted to lose weight? Why would he even want to do such a thing?

The original inspiration.

I did a little research, and the answer became obvious: Ernie is literally bigger than Bert. They’re always arguing over food, but is Ernie really eating that much more than Bert? At least on TV?

A little further research and it turns out the size disparancy is no joke: Ernie is indeed bigger than Bert, and the reasons are of no fault to Ernie himself. They are completely different puppets.

Bert is a Hand-Rod Puppet – where the puppeteer’s dominant hand in the head of the puppet, often moving the mouth and sometimes the facial features. And because the puppeteer’s other hand is controlling rods that are connected to the arms and fingers, the puppets have much thinner arms.  Think Kermit, Elmo, and BERT.

Ernie, however, is a Live-Hand Puppet, which means his puppeteer will have one hand where his hands are (like a glove) and the other hand operating the head. He will also have another puppeteer using their hand to control his other hand (also like a glove). So not only does Ernie have 3 puppeteering hands moving around in his body, but he’s quite literally big-boned so that his frame looks more normal and proportionate with human hands.

Even if Ernie tried to prescribe an exercise program for the hands that control him – do some more moving, a little less resting around – it wouldn’t make much of a difference. What it really takes, more than anything, is to realize he can’t control his size, but he can control his attitude towards it. Thankfully, his facial expressions seem to only be capable of positive emotions.

I think he’ll be be just fine.

Filed Under: MUSINGS, Uncategorized

What is Wider Aspects?

February 1, 2015 by Adam Membrey

WideAngleWebsiteIMG_0829 EybebrowWebsite

Anyone who’s ever tubed down a river knows one thing: the narrower the river, the faster and more perilous the ride. Everything dips and turns faster than you’re comfortable with, and all you can do is react. Sometimes that means some embarrassing shrieking. Sometimes it means ripping your favorite new bathing suit. Sometimes that means a good hit up the buttocks that leaves a souvenir. The river, bubbling and babbling, holds your full attention as you navigate your way through. There is no time to look for a better way. All focus has to be on staying afloat.

Floating on a wider river, however, means you can not only float, but you can actually see what’s around you. You can take in the surroundings. You can have a good time and live to tell about it. You can have conversations with people that go far deeper than you ever expected because, hey, what else can you really do?

This is the heart of Wider Aspects.

This is about taking a step back and finding a wider angle. When I was in high school, one of my favorite happy accidents was stumbling on those late-night movie viewings on AMC – back before it was the land of Mad Men and those Breaking Bad – and seeing this wonderful, vivid films with a wider screen ratio. Letterboxed but never boxed in, these films, with their wider and true aspects, just felt like so much more. They felt more epic, more emotional, more like something approaching Life – even when you saw an alien burst forth from the chest of a screaming, convulsing man.

Wider Aspects is about finding that wider aspect ratio. This is about making life as wide as it is long. This is about doing as much as it’s about talking. This is my attempt to move from a narrower river to one wider, one that allows me to indulge in the things I really want to indulge in; have the conversations I want to have, tell the stories I want to tell, draw the pictures I’ve always wanted to draw. To be slow to draw conclusions, and quicker to find new perspective.

This is my outlet. Free for you to see; free for you to respond to. It’s going to be interesting. It’s going to be fun. And it’s going to, at times, be goofy as hell.

We are living in a word dominated by input. We go from screen to screen – our phone, our computer, our TV, our tablet, and back to our phone – and are receiving millions of messages throughout the day. We have no lack of input. What we do have, however, is a lack of output.

This is my attempt at output. May it run as wide as it runs long. And may you enjoy it.

Filed Under: MUSINGS Tagged With: Drawing, Film, Output, Rivers, Wider Aspects

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